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I've lived it. I know the feeling. I know how to move on and enjoy life again. We often wonder how we arrive at where we are today and how we possibly survived the roller coaster we call life.

Life it seems is a "learning to cope" experience. For when you think you don't have the strength to continue, you find it deep deep down inside.

I became a transition life coach because I want to help other widows who have experienced a lot of change in their life most for which they didn't volunteer.

Navigating through the maze can be challenging. My husband died in my arms from lung cancer in August , two months after diagnosis.

To say that my world changed drastically in a matter of seconds is an understatement. I was heart broken and left in difficult financial state of affairs.

There were so many challenges I faced and situations I had to deal with that I never experienced before.

You see, my husband died without a will. I had to deal with lawyers, banks, threats of being sued and other unforeseen circumstances.

It almost broke me and I thought I was not going to survive. My self esteem was at an all time low. I felt incompetent and indecisive.

But through trial and error, many prayers and the will to survive, I did. I made a conscious decision to enjoy life again. Bit by bit I slowly got to know who I was and I liked me.

Unlike their female counterparts, the Specialists do not have magical powers and instead train how to fight using laser weapons.

The Winx and Specialists' most common adversaries are a trio of witches named the Trix: Icy , Darcy , and Stormy , all former students of the Cloud Tower school.

Winx Club is set in a vast universe that has several dimensions. Most episodes take place in the Magic Dimension, which is closed off to ordinary people and inhabited by creatures from European mythology like fairies, witches, and monsters.

The capital of this world is the city of Magix—which is located on the planet of the same name—where the three main magic schools are situated.

During the s, comic artist Iginio Straffi noticed that action cartoons were mostly focused on male heroes; [13] [14] at the time, he felt that the "cartoon world was devoid of female characters.

Straffi's pilot, which was titled "Magic Bloom," [22] featured the original five Winx members in attires similar to those of traditional European fairies.

The crew changed the show's color palette, replacing the pilot's colour scheme with a brighter collection of hues, and adjusted the skin tone of one of the protagonists to look "more Latin" in an attempt to add diversity to the show.

From the beginning of development, Iginio Straffi planned an overarching plot that would conclude after 78 episodes.

The revived series began with four special episodes that summarize the first two seasons of the original show, [41] followed by the fifth, sixth, and seventh seasons.

As the production team was divided between two countries, Nickelodeon released a statement commenting on how Winx Club was an unusual production for the company: "it's not our usual practice to co-produce cartoons; we make them by ourselves.

But we strongly believe in Winx. On each episode of the revived series, Nickelodeon approved scripts and all phases of animation.

On 7 April , Rainbow and Nickelodeon announced their continuing partnership on the seventh season of Winx Club , with a planned premiere date of The CGI-animated segments and California voice cast from the previous two seasons were deemed too costly to continue using for season 7.

As with the previous two seasons, the copyright to season 7 is co-owned by Rainbow and Viacom. The president of Nickelodeon International, Pierluigi Gazzolo, was responsible for arranging the co-production partnership and became a member of Rainbow's board of directors a role he continues to serve in, as of November The eighth season of the series was not produced immediately after the seventh.

It followed a multiple-year hiatus and was not made as a direct continuation of the previous season. At Iginio Straffi's decision, Season 8 was heavily retooled to appeal to a preschool target audience.

For season 8, Rainbow's creative team restyled the characters to appear younger, hoping to increase the appeal toward preschoolers.

Iginio Straffi made the decision to shift the show's intended audience after years of gradually aiming toward a younger demographic.

In a interview, [6] Straffi explained that decreasing viewership from older viewers and an increased audience of young children made this change a necessity.

He elaborated that "the fans of the previous Winx Club say on social media that the new seasons are childish, but they don't know that we had to do that.

He instead shifted his focus to live-action projects aimed at older audiences: Nickelodeon's Club 57 and Fate: The Winx Saga.

The series' visuals are a mixture of Japanese anime and European elements, [52] which Iginio Straffi calls "the trademark Rainbow style".

A team of specialized artists designs the characters' expressions and outfits for each season. About 20 tables of expressions and positions from all angles are drawn for each character.

Using these as references, they draw multiple outfits for each character. When asked by an interviewer where his fashion intuition came from, Borselli responded, "From being gay.

The first stage in the production of an episode is developing its script, a process that can last 5—6 months. After Viacom became a co-owner of Rainbow in , Rainbow's group of 30 writers began collaborating with teams in both Italy and the United States.

After the script and character designs have been approved, the screenplay is passed onto a group of storyboard artists. For each minute episode, the artists prepare pages of storyboards for each minute episode, [54] which are used to assemble an animatic.

At this stage, dialogue and music are added to determine the length of each scene. At the beginning of the first season, the ten-person production team worked at Rainbow's original headquarters in Recanati.

According to the Rainbow CGI animators, the animation of the characters' hair in underwater scenes was particularly difficult, and it was animated separately from the characters.

According to Ilaria Latini, the characters were cast before any character designs were finalized and the actors were shown black-and-white sketches of their roles.

The specials introduced a new cast of Hollywood voice actors, who recorded their lines at the Atlas Oceanic studio in Burbank, California.

In , Viacom relocated the series' English cast to DuArt in New York City; this was done as a cost-cutting and time-saving measure, since Rainbow was undergoing a significant financial loss at the time.

Despite the change in voice actors, the series' animation continued to be matched to Nickelodeon and Rainbow's English scripts for the seventh season.

According to Iginio Straffi, music plays a crucial role in the success of the series. Music is recorded in Milan and Rome, and each song takes between five and twelve months to complete.

His music is featured in the fifth, sixth, [70] and seventh [71] seasons; he also composed the stand-alone single "We Are Believix" for the show.

Six compilation albums based on the show's music have been released; some include songs that do not appear in the television series.

Many of the show's tracks are performed by Italian singer Elisa Rosselli. She was selected during the production of the first Winx film, as Iginio Straffi was seeking a writer and singer for the movie's soundtrack.

Straffi looked to Sony Music 's archive for inspiration and enjoyed three of Rosselli's songs that were co-produced with Maurizio D'Aniello. Winx Club first premiered on the Italian television channel Rai 2 on 28 January On 2 September , Nickelodeon announced through a press release that they would be producing brand-new seasons with Rainbow.

The change to younger-skewing networks followed Rainbow's lowering of Winx Club ' s target demographic to a younger audience than the earlier seasons.

By , the show had been aired in over countries. Iginio Straffi criticized these adjustments in a interview, saying, "The Winx fairies cannot talk about boys there.

I think this removes something essential. Upon its debut, Winx Club was a ratings success. On 27 June , the first special produced with Nickelodeon premiered on Nick U.

In a New York Times article, Bocconi University professor Paola Dubini stated that the themes and characters of Winx Club appealed to both the target audience and their parents.

Dubini wrote that the fairies' "defined and different personalities" made them relatable to viewers. The character designs and outfits have attracted some controversy.

In an interview with the newspaper Corriere della Sera , psychotherapist Gianna Schelotto assumed an opposite standpoint.

She argued that the Winx are "anti-showgirls" with stories that highlight positive aspects like friendship, guiding female viewers "away from supermodels to which the commercial world drags them".

Winx Club has attracted academic interest for its presentation of gender roles. In the journal of Volgograd State University , Russian sociologists Georgiy Antonov and Elena Laktyukhina judged that female characters in the series are depicted as dominant, while males are shown to be passive.

They wrote that Stella's character incorporates stereotypically feminine passions for shopping and clothes, while Aisha represents a more realistic character with an interest in male-dominated sports.

Winx Club has been popular at fan conventions. For example, in and , the series had a large presence at Nickelodeon's San Diego Comic-Con booth, where exclusive collectibles were raffled off to fans.

Federico Vercellino of Il Sole 24 Ore described the series as "an Italian cultural enterprise—the largest since the days of Salgari ".

In , Giovanna Gallo of Cosmopolitan stated that the program's characters have become "real icons of fashion" and noted the show's popularity with cosplayers , [] performance artists who wear costumes and accessories to represent the show's characters.

Winx Club costumes were the focus of a second-season episode of The Apprentice , in which Flavio Briatore challenged the show's teams to create three Winx outfits intended for females 25—35 years of age, which were to be submitted to the judgment of Iginio Straffi.

It's inspiring," he elaborated. On 8 October , a Winx Club feature film was announced on Rainbow's website. Iginio Straffi had planned a feature-length story since the beginning of the series' development, and the film eventually entered production after Straffi founded Rainbow CGI in Rome.

On 9 November , a sequel film was announced for a release date in In late , it was announced that Viacom the owner of Nickelodeon and eventual co-owner of Rainbow would provide the resources necessary to produce a new Winx film.

According to Iginio Straffi, the film has a more comedic tone than the previous two films. PopPixie is a comedy spin-off series that ran for a single season over two months in It is based on the chibi -inspired Pixie characters from the second season of Winx Club.

World of Winx is a spin-off series that premiered in ; Straffi described it as one "with more adult graphics, a kind of story better suited to an older audience" [] than the original series.

It features the Winx travelling to Earth on an undercover mission to track down a kidnapper known as the Talent Thief. In March , a live-action adaptation aimed at young adults was announced.

The series will follow the same general story as the animated version [7] and will star Abigail Cowen as Bloom.

Iginio Straffi opened up to licensing Winx Club merchandise in order to finance his studio's other projects; [] in , he stated that he reinvests "almost everything" back into Rainbow.

Doll collections based on the show's characters were first released in January to coincide with its debut.

An ongoing comic book serial has been published since the series' premiere. In , the comics' worldwide circulation was 25 million copies, with 55, copies sold each month in Italy.

Several console video games based on the show have been produced. From Wikipedia, the free encyclopedia. Italy United States revived series [2] [3].

Main article: List of Winx Club characters. In the last ten years, the animation audience has skewed younger.

Nowadays, it's very difficult to get a year-old to watch cartoons The fans of the previous Winx Club say on social media that the new seasons are childish, but they don't know that we had to do that.

Main article: List of Winx Club episodes. Main article: Fate: The Winx Saga. Jakks Pacific. Corriere della Sera in Italian. Library of Congress.

Nickelodeon Consumer Products. Viacom International, Inc. Retrieved 11 May FantasyMagazine in Italian.

Winx Club: Scopri i cuccioli con Roxy in Italian. Rainbow S. RAI in Italian. Archived from the original on 4 August The new character, Roxy, will join the Winx group.

Archived from the original on 16 September Retrieved 17 August L'espresso in Italian. Channel NewsAsia. Archived from the original on 19 October La Stampa in Italian.

Interviewed by Vincenzo Petraglia. Interviewed by Chiara Galavotti. IO Donna in Italian. Il Sole 24 Ore. Il Giornale in Italian. Interviewed by Federico Taddia.

Archived from the original video on 28 December Retrieved 1 September

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